His time was different. Born in 1915, Graham Ingels became a comic book artist in 1942 during their first surge in popularity. At sixteen, Ingels had already painted theatrical displays. At twenty, he was active as a freelance artist.
After a discharge from the Navy, Ingels produced illustrations for pulp magazines for a year before becoming a comics editor.
His talent was different. It was EC publisher William Gaines and EC artist, writer and editor Al Feldstein who would bring Ingels fame as â€œGhastlyâ€. That was his trademark signature on covers and interior stories in ECâ€™s Crime SuspenStories, The Haunt of Fear, The Vault of Horror and Tales from the Crypt. It was his incredible, unique talent that earned Ingels a fame that remains undiminished by time or his death.
Graham Ingels became the greatest horror artist in comic book history.
His scratchy, fine lines draped everything he drew in cobwebs, shadows and decadence. A subtle, physical deformity in almost every character, many of who were barely more than parchment flesh stretched over arthritic bone, made his readersâ€™ skin crawl. His Victorian houses tottered on the verge of collapse, and even animals and vegetation
smelled of Gothic decay.
He was the master of atmosphere, his settings alone producing more shudders than any gory movie.
Ingles work included: â€œLost Worldâ€, â€œSea Devilâ€, â€œCommando Rangerâ€, â€œClipper Kirkâ€, â€œSuicide Smithâ€, Auro, Lord of Jupiter (Fiction House, 1942-â€™49); Heroic #39 (Eastern Color, 1946); covers,, Startling, â€œLance Lewisâ€, â€œTygraâ€ (Pines, 1947); covers, â€œThe Dukeâ€, Trail Colt, U.S. Marshall (ME, 1048-â€™49); western, crime, love, horror, sf, New Directions titles (EC, 1948-â€™56); â€œOutlawsâ€ (DS, 1948); Waterloo, Classics Illustrated Special Issues (Gilberton); Treasure Chest, western (Pflaum, 1957) and work at Fox Comics (1948).
The work of Graham Ingels is highly recommended. MV